
Beagle, two months old, female. Price: P10,000 (in Davao; elsewhere, plus shipping and handling).
Please, get her out of our hands before we fall in love with her and refuse to let her go!


To turn bits and bytes into the wolves and bears of Red’s “hood,” the filmmakers jetted off to a 5,000 square foot studio in the [capital] of the Philippines, Manila, where a team of top-notch animators was assembled. Lovegren and Montgomery chose Manila not only because it has a vast and experienced pool of animation talent but because most of the people there have grown up on American pop culture – and had a real appreciation for the sly humor and visual style that make HOODWINKED so distinctive.
In Manila, Lovegren and Montgomery worked together to establish cutting-edge procedures that significantly shrank the normal multi-year animation film schedule and turbo-charged the entire process. The break-neck pace was a constant challenge to the Manila artists, who fine-tuned and layered the characters and sets of HOODWINKED in the 3D world of Maya Software.

...I had been put into a room on the ground floor on the street -- a dark, dismal room where everyone could look in the window. The Bogarts were up on the top floor with a lovely porch looking down the river.
I nearly fainted with rage and frustration. Who the hell had arranged the rooms! Wasn't I as good as Bogie!...Then I found out that the accountant and auditor, who had been there for some time, had a lovely room next to the Bogarts. Without a wasted step, without a thought of them or their rights of possession, and certainly with not a word to either of them -- I walked into their room...threw everything into suitcases and demoted them to my room on the first floor.
Writing is but one way of playing connect-the-dots. Sometimes you get lucky and your ideas take form. Sometimes you fail and you fail so terribly.
Writing is connecting the dots...without the numbers.
Bartok the One-Eyed was, by and large, a simple and good-natured fellow. However, there were two things that he hated with a fierce passion.
First on the list were dragons. Bartok and dragons did not mix well, yet it seemed that they had been fated by the stars to cross paths again and again.
It started early on in Bartok's life: Bartok's mother and father, settlers on the frontier, were killed by a green dragon while they were tilling their fields. His uncle, who took him in, was eaten by a ferocious pack of brown dragons while hunting in the forest.
With this run of bad luck, it came as no surprise that Bartok felt about dragons the way he did. If he had his way, he would have left the frontier and been done with dragons forever. But an orphan in the frontier did not have too many options and he soon found himself indentured to a band of dragon hunters. Still, he took to his new career as a dragon hunter quite well, because it allowed him to vent all his frustration and anger on the creatures themselves.
In time, Bartok became a dragon hunter of some renown. His knowledge of dragon lore was without peer. He devised various tricks to lure the beasts. He led other hunters on expeditions to seek out the bigger dragons. And he knew well enough when to leave them alone. In a profession notorious for pitifully short life spans, Bartok thus became one of the rare exceptions.
As everyone knows, the only thing a brown swamp dragon likes better than corn beetles is roasted corn beetles coated in honey. A swamp dragon can single out its sickly sweet aroma over the effluvium of its natural habitat and come bolting out of its nest.
That was the case with one such swamp dragon. Having caught a whiff, it dashed towards the treat, taking only a cursory look at its surroundings to see that no other predators were about. It snapped the caramelized insect into its mouth and munched greedily, unmindful of the steel trap that dropped over it.
"That about makes it an even dozen, Master Bartok," said the lanky youth. "Look at the size of her. She'll probably fetch five dinaari at the fair, don't you think?"
The young hunter reached into the cage and held the swamp dragon by its neck. The dragon stared dumbly at its captor, made a feeble attempt at a puff of methane, and promptly gave up. Its eyes rolled stupidly. Swamp dragons were about the size of a turkey but only half as smart. Catching them was easy.
"Time enough for a couple more, Pelias," the grizzled old master grunted at his apprentice.
"Awww, master! We've had a good run with the fat ones all day. We're laden enough, we'll have a hard time bringing them out of the swamp. Besides, we'll miss the opening of the fair."
Bartok relented with a gruff nod, and Pelias gleefully began disassembling the trap. Having finished that, the master and the apprentice lifted their respective loads of captured swamp dragons. The dragons were strung upside-down by their feet, wings bound so they wouldn't struggle, and mouths clamped so they wouldn't belch their smelly emissions.
The trip to the village would ordinarily have been filled with the excited chatter of Pelias, but his enthusiasm this time around was severely dampened by heavy thoughts. Bartok, unused to the silence, finally brought to surface the matter that weighed heavily on his apprentice.
"So is it final?" Bartok said. "Ye'll be taking your leave after the fair?"
"Aye, sir," Pelias said heavily. "Father's been more vocal in his objections. Says dragon hunters are a joke nowadays. So he'll be apprenticin' me to Marius the Blacksmith. Says I need to learn a proper trade."
"Can't say I blame him," Bartok said darkly. "No respect bein' a dragon hunter anymore. Not like the old days when the giant beasts roamed free. Now they're mostly dead, and so are we."
"Do you wish for the old days back?" asked Pelias innocently.
"No, no, no!" Bartok said vehemently. "Hunting dragons was dead serious business then, more danger than you can imagine. I'd rather be safe in my old age. Though I can't say that I wish for a little more respect and gratitude from folks."
"All the same, I'd much rather be with you, Master Bartok," Pelias said. "You've taught me a lot. Lessons I'm not likely to forget. I...thank you."
When I saw each frame as a unit I remembered something from my youth: as a young person I could completely concentrate on each frame of the comic book. I could see every line and gesture as if it were part of a sole painting hanging in the center of a blank wall. This, I thought, might be what separates me from my younger self. Now I look at the whole page, read far too quickly, and move on before seeing what Jack Kirby saw when he set down his images forty years ago.
Microsoft found that most modern commercial Linux distributions could be installed successfully on systems with a Pentium processor, with 64MB of RAM and a minimum of 2GB of hard disk space.
Minimum requirements for office productivity performance on a Linux system were any Pentium II (PII) system with at least 64MB of RAM, he said, adding that playback of sound and video would typically require a PII 400 or better.
Oriental Negros received recognition from the foundation, in part, for a simple but effective back-to-basics program.
Oriental Negros Governor George Arnaiz pointed to his province's Gulayan at Palaisdaan Alay sa Kabataan (Vegetable Farm and Fish Pond for the Youth) program, chosen as one of the Top 10 outstanding local government programs for 2005, as a continuing effort to improve nutrition among grade school children.
The children, he said, were given garden tools, fertilizers and vegetable seeds for planting in school plots. In 2002, the first year of the program, the provincial government invested P2 million to train some 700 teachers in the art and science of gardening.
The statistics are heartening: In three years, the program added almost 140 hectares of vegetable-producing land; and the malnutrition rate fell from 39 percent in 2002 to 23 percent in 2005.
Another advantage to living in Dumaguete: getting your driver's license in a little over an hour. Oh, sure, Singapore might do it better but that's Singapore. We're talking about the Philippines here. This has got to be a record of sorts.
This is just about the best present I got over the Christmas holidays: a portrait of me by Foundation University's resident artist, Hersley. My editors at Metro Post, Irma and Alex Pal, commissioned it.